Casting awakens
Kari, introduced herself as the principle of Kari Harris Casting (http://www.kariharriscasting.com/) which opened it’s doors in 2004 after a history with Prototype Casting over at Fox studios for many years. When they closed their doors she basically decided to open her own door. She spoke of the experience being one that helped her rediscover the joy of her job and her clients. Her credits over the last decade and a half include the television series, Cyber Girl (won AFI 2001), Lennie Cahill Shoots Through (won AFI 2004), Liquid Bridge, In the Red and Soar (won Flickerfest awards 2004 – Best Achievement for Original Screenplay & Most Popular Film). Kari has cast multiple high end advertising campaigns for various award winning agencies, such as Euro RSCG Worldwide, George Paterson Y & R, Leo Burnett, M & C Saatchi, Ogilvy Australia, McCann Erickson and Clemenger BBDO. Her work is featured on her website as mentioned above and actors can find references useful on the facebook page – www.facebook.com/KHCasting.
Projects — the up and downs
Kari, explained that there were numerous ways projects come to the attention of casting agents, including being asked by a producer, or told by an actor eager to be introduced or the usual industry grapevines. She said that the Casting Agent is one of the first bodies brought on board a production (even though, she admitted regretfully, we are not usually funded till pre-production begins). The drawback being of course that some productions simply do not get made.
The process
That aside, and presuming all goes well, the Casting Agent meets with the producer to discuss the vision of the script and understand the integrity of the script. Upon breaking down the script into character briefs, and then getting the rather telling, producer’s wish list. Then it’s is the Casting Director’s job to provoke them to think seriously about the wish list and inject some manner of reality to it. (Besides, Nicole, Russel and Bryan have other engagements) <sigh> After some provocation (in a nice manner) the Casting Agent begins the process of suggesting people based on the re-engineered wish list and starts bringing them in for consideration. They speak to Agents for the selected lead roles and then begin Casting for the myriad number of roles in a film. We provide the Showreel DVDs for the producers and eventually narrow it all down. Coordinating Schedules for Actors and Agents can become quite a complex task and as she said easier to tell than do. Casting agents make recommendations for the producers and to keep a reputation, need never to submit someone that is not up to scratch. Being ready for the role as an Actor is an important consideration. Sometimes, as Kari said, we need to decide on whether to keep people on tap or not for the producer. The most important resource in contemporary times for Casting Directors are the On-line Databases (ecaster, showcast or AT2). Kari suggested that actors should be on at least one of them.
Images.
Kari’s advice about your photo shoots. Get it done properly. Not a snapshot shoot in your back yard. DO remember, If you send a Photo to an Agent don’t forget to put your name & phone number on the back. The photo may get separated from a Resume and if and when it does, you become an unlocatable asset. Of then what use is your fabulous face for that great part that you would be ideal for, if only you’d bothered to think a little.
Showreels
Kari said that DVD’s and Showreels are critiqued by agents although Kari admits they may be put aside in the busy hustle in preference for viewing them during quieter times. But she also went on to speak of how useful the short film industry in Australia was in simply providing both opportunities to keep working and for material that can be used in Showreels. Kari did through stress that Theatre work was an important “quiver for your bow”.
The Arts Party.
The political agenda of recent times has been significantly influenced by minority parties holding majority influences to account. Some for good and some not admittedly. But nevertheless it has forced major parties to step up to the negotiating table and bargain and properly debate positions and policies. It has become increasingly apparent that neither major nor minor parties in Australia hold strong interests in supporting artistic industries. Whether they be artists who work with paint or sculpture (that we immediately and inaccurately limit “Art” to), or artists involved in trades such as film, journalism, architecture, music, web design, photo retouching, hair dressing, baristas (have your looked at the top of your coffee lately) , cooking, personal training (sculpting bodies), fashion design, illustration, authors, directors, acting, photography, singing, prop and wardrobe design, dancers, acrobatics, model building, etc. Art is multifaceted but surprisingly marginalised, politically and socially, except when we want someone to perform these services. Something many of us do the moment we listen to music or a film or a “good” photo or a web page on our smart phones and still manage to relegate our daily occupation with Art to being the production of that weird group of creatives who’s education was largely derived from the disparaged “Arts Degree”. Politically disparaged with their funding in free fall (often so tied up in red tape as to be obstructing rather than encouraging), with their trades being reduced (journalists and photographers losing jobs at papers) it has become apparent to some, it is time to fight back. And to do so, in the political arena.
Enter The Arts Party! The radical idea of two gentlemen who are artists currently employed by that epicenter of underfunded and politically disparaged organisations, the ABC. One an actor and the other a journalist, Nicholas Gledhill and Patrick Collins respectively, they have instigated the commencement of a crowd funding platform, to both fund and gain the numbers to legally register this political Party.
http://www.indiegogo.com/projects/the-australian-arts-party/
In the interests of transparency and disclosure of conflicts of interest, I am personally involved in film, multimedia and graphic design concerns. ( as if the rest of my web site didn’t clue you into that). It became immediately apparent to me that an Arts Party could front so many concerns, not only of my industry, but multiple other artistic industries under threat from entrenched bureaucracy , political and social indifference, poor profiles, reduced work opportunities and under funding. The policies of this party are admittedly still under construction and it is early days. What they need now is your support so the party can be registered. $20 per person/artist and your name and address is not a big ask for what it can potentially do for the currently politically unsupported Arts community. Less than what I sometimes pay for Lunch at a cafe in Newtown. What they will need later, is your input into policy and direction for the Party (as of course after reading this you will be joining up). The interesting reality is, that as I write this, they have a third of the numbers support for federal registration but interestingly already half the money required, as Artists seeing the value of this, are committing more money than they are being asked for. So I am not alone in recognising the value of this. (And yes, I did contribute more than was asked.)
The Arts party has already acquired interests from small publications such as “The Inner City Weekender” from the 1st of November [Page 10] (image from that replicated here) and Metro Screen [http://metroscreen.org.au/arts-party-campaign-passes-45-funded-in-7-days/] . The Arts News portal has created an article of support for the Party too at:[http://www.artnewsportal.com.au/art-news/the-australian-arts-party] so interest is growing.
Besides the Indiegogo crowd funding page there is of course a Facebook page [https://www.facebook.com/TheArtsParty] and it’s own dedicated page at [http://www.theartsparty.org]. All these exist to help you make an appraisal of this new venture. I would encourage you to consider signing up with a hope to seeing a bright and supported future for the Arts in Australia.
Post Turnbull Appendum:
Since Tony Abbott’s eviction, the Arts portfolio is yet again shared with other portfolios and still has not been given a singular advocate. While Brandis has moved on, the policies of the party have not. Senator the Hon Mitch Fifield has become Minister for Communications AND the Minister for the Arts. Still this minister has not found the time to draw up a policy for the Arts at the Federal level because one presumes he is busy with the mess the previous communications minister left behind him with the more expensively growing NBN policy and implementation. Aside from keeping Indigenous artistry and languages alive, the policies of cutting or dividing up funding for the Arts has continued uninterrupted. The Arts Party in the meantime is not only registered but put up a candidate in Joe Hockey’s old seat and attracted 2% of the vote for a first time candidate, Lou Pollard, (a local Clown Doctor) in a party most people hadn’t even heard of in North Sydney.
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